Encaustic Mixed Media

My encaustic work is often intense and a little dark.  Although I find it thrilling to carefully observe and render my subject matter, my work always gives way here and there to painterly strokes and spatters, or areas of less specificity.  I often try to amplify the contrast between crisp naturalism and abstraction by fusing materials to the surface.  These 3-dimensional protrusions of found objects blur the distinction between what is real and what is illusion.  The images have a sense of being trapped in their 2-dimensional surface, reaching out, trying to break free.  I scrape, melt, and embed materials into the surface to help reveal the depth of the layered encaustic medium. 

Thematically, I am interested in our necessity to strike a balance in our lives between comfort and discomfort.  I am fascinated by the resilience of people who are living in uncomfortable circumstances, but are managing to find comfort in wholesome and healthy ways.  I am equally fascinated by the horrors people experience as a result of being too comfortable or by soothing their discomfort using self-destructive means.  While I work, I often draw inspiration from cycles or waves, and seek to unify seemingly disparate subject matter.  My encaustic pieces typically have an eerie, dreamlike quality, incorporating symbolic or metaphorical imagery.  I love how this can limit and clarify while simultaneously extending the meaning of a piece.  In my experience, this has made my art more accessible, inviting interpretation even from viewers who do not normally consider themselves art lovers.  This versatile medium allows me to not only freely explore, but to also capture viscerally, the nuances of themes like weight vs. delicacy, pain vs. pleasure, clarity vs. confusion, and deterioration vs. growth.

Restraint

2018-2019

Residual Impressions

2020-2023

Liminal Spaces

2024

Questions of “I” is a collaborative poetry-infused artwork created by poet Grace Beniquez and artist Lilis K’Dair for the summer 2024 group exhibition, Liminal Spaces: A Collection of Poetry-Infused ArtLiminal Spaces showed at Arts Lab of South County from June 3 – July 30, 2024, and at Deale Public Library from August 1 – September 30, 2024.  The work in this show was also beautifully compiled into a publication available for purchase.  Visit Arts Lab of South County’s website for more information or to view and listen to the other work in this exhibition. 

Questions of “I” 

Poem & audio recording by Grace Beniquez

Artwork by Lilis K’Dair

encaustic medium, plaster gauze, ink, 

waterslide paper, mirror, 3-D printed PLA

hand, & wire over wooden support

 

 

 

 

Liminal Spaces

2025

Call Me Aurora is a collaborative poetry-infused artwork created by poet Andrew Batcher and artist Lilis K’Dair for the group exhibition Liminal Spaces: Another Collection of Poetry-Infused ArtLiminal Spaces will be on display at Arts Lab of South County from June 8 – July 31, 2025.  The opening reception will be on June 8th from 4-6pm.  The work in this show was also beautifully compiled into a publication that will be distributed to those who placed orders, and the artwork and poetry recordings will be able to be seen and heard on the Arts Lab of South County website starting on the day of the opening.  Visit Arts Lab of South County’s website for more information. 

Call Me Aurora

Poem & audio recording by Andrew Batcher

Artwork by Lilis K’Dair

encaustic medium, ink, tissue paper,

3-D printed PLA lines of poetry &

copper foiled, soldered stained glass